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CRUSADER GOLD
By: David Gibbins
Bantam Dell: New York
October, 2007 (pb)
Crusader Gold is the second entry in a series
that features marine archaeologist Jack Howard and his intrepid sidekick
Costas Kazantsakis as they hunt mythic and semi-mythic treasures from the
past. In this outing, they and their team of scientific treasure hunters
from the International Maritime University set out on a global hunt for the
golden menorah of Jerusalem that disappeared after the destruction of that
city by the Roman legions 70 AD. Second only to the Ark of the Covenant in
its importance to the Jewish people, the menorah eludes Jack and his team as
they pursue its trail through history and geography. From Rome the trail
leads to Istanbul, or Byzantine Constantinople, to the Illulissat icefjord
in the North Atlantic, to the Viking outpost at L’Anse aux Meadows in
Newfoundland, and finally to the steamy jungles of the Yucatan peninsula,
Jack and company face natural perils and deadly human enemies in their
search for the Temple treasure. Would it be surprising that their
competition would be none other than Nazis? Not neo-Nazis, but
honest-to-goodness second and third generation real Nazis!
Crusader Gold is a guilty pleasure; it is a
potboiler, by any measure. But while this genre is awash in cookie-cutter
knock-offs of such blockbuster bestsellers as The Da Vinci Code,
occasionally an entry in the thriller sweepstakes does rise above the
rest—and Crusader Gold does so. Why? I asked as I found myself
liking this book. I have, I might add, been less accepting of these novels
of late as they become more and more indistinguishable from each other—plus
one can spend only so much time in airport terminals!
It’s not that Crusader Gold is not
derivative—its similarity in plot and characters to the Clive Cussler Dirk
Pitt series is almost shameless. But Gibbins can write passably well and
while his characters—both heroes and villains—may lack a certain depth,
there is a certain earnestness to them that kept my interest. But most
importantly, Gibbins has convinced me that he knows underwater archaeology
and he knows the historical context of his thriller. He may present an
absurd and outlandish plot—Viking adventurers, menorah in hand, setting foot
in the Yucatan and battling the Toltec lords of Chichen Itza—but it’s a
goofy plot that Gibbins makes acceptable because it’s so much fun!
So if you want to suspend all disbelief for a few hours
and spend some time having fun while you read, I think you’ll find
Crusader Gold worthy of three trowels! I plan on reading the first of
this series, Atlantis, and see if David Gibbins can make me believe
for at least a little while in that lost city/civilization!
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