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A RUMOR OF BONES
By: Beverly Connor
Cumberland House Publishing: Nashville, Tennessee
1996 (HC)
Seven years before beginning her Diane Fallon Forensic
Investigations series, Beverly Connor had her first Lindsay Chamberlain
mystery published. This brief series (it was to include five novels in
total) featured a young, attractive physical anthropologist/archaeologist
whose excavations always featured lots of murder and mayhem. I remember
feeling keen disappointment when a few years passed after the publication of
her fifth Lindsay Chamberlain novel, Airtight Case, and it was
evident that the series had breathed its last. I was elated when Connor’s
new series with anthropologist/museum director Diane Fallon came along, but
truth be told, I have a warmer spot in my heart for the Chamberlain
mysteries than the Fallon stories.
This is not to say that A Rumor of Bones is a
great literary work, but it was author Connor’s initial entry in the great
mystery genre sweepstakes and it did hint at good things to come—which
proved to be true, and I highly recommend all five of the Lindsay
Chamberlain novels.
The reader is introduced to Lindsay as she participates
in the excavation of a large-scale 500 year old prehistoric site in rural
Georgia at Jasper Creek. The description of the methodology is quite
realistic—Connor studied anthropology at the University of Georgia and has
worked numerous excavations in the Southeast, according to the book jacket
biographical note—and the author works “inside archaeology” into the
narrative quite nicely. The dynamics of human interaction among the dig
crew—especially the romantic twists and turns that result in love triangles,
quadrangles and maybe even pentangles!—get a little overblown from time to
time, but for the most part they do fit within the plot, although sometimes
in a rather tortured fashion.
The mystery plot—or is it plots—is quite good. The
bodies of missing children—little girls—begin turning up with distressing
frequency and the local sheriff, not the usual stereotypical redneck Georgia
sheriff by any means—asks Lindsay to help identify the remain because of her
expertise in forensic anthropology. Almost simultaneously, a modern
burial—perhaps some 25-100 years old—is found intruding into one of the
prehistoric burials that the crew is excavating. Lindsay shifts her
attention to these new remains and determines that the remains are those of
a young woman killed by a bullet through the head! As if very contemporary
murders—for the children’s corpses are only a few years old—and a murder
victim from the not-so-distant pass were not enough, the dig is beset by
local toughs who harass the dig crew, pot is planted in crew tents to
discredit the young crew members who are looked upon with great suspicion by
many of the locals, and Lindsay is stalked by a predatory young local rich
boy who has developed a worrisome fixation on her.
Mixed into this seething cauldron of antagonism,
Lindsay and her co-workers are introduced to the Tyler family, a close-knit
clan whose roots are sunk deep in the local Georgia clay and whose wealth
and prominence have accustomed them to having things their way. When
invited to the annual Tyler Fourth of July celebration, Lindsay stumbles
upon some Tyler family secrets that not only threaten to blow apart the
local social fabric but threaten Lindsay’s very life.
The various plots of this first Lindsay Chamberlain
novel begin to converge and the reader is treated to some old-fashioned
Southern gothic as well as some pretty interesting forensic anthropology. I
believe the romantic sub-plots distract from the novel—mainly because they
often make the main characters seem trivial and juvenile—and its because of
this that I only give two trowels to A Rumor of Bones, but
hang in there—the series improves which each new edition and still and all,
A Rumor of Bones is a pretty good read!
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