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Ron Stoffregen, |
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Ron Stoffregen, |
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THA 342 - Sound
Design and Engineering - Spring - 2006 |
Syllabus
Course Objectives:
To learn basic media used in sound design and engineering for the theatre,
including reel-to-reel, cassette, minidisk and digital audio tape recordings,
and common techniques for digital, analogue, and multi-track recordings.
Textbooks:
Deena Kaye & James LeBrecht, Sound and Music For The Theatre,
2nd Edition, Focal Press1999.
JBL
Sound System Design Reference Manual http://www.jblpro.com/pub/technote/ssdm_99.pdf
Suggested References:
| Burris-Meyer, Harold. Sound in the Theatre. New York: Theatre Arts Books, 1979. |
| Collison, David. Stage Sound. New York: Drama Book Specialists, 1976 |
| Davis, Gary and Ralph Jones. Sound Reinforcement Handbook. Milwaukee: Leonard Publishing, 1989. |
| Huntington, John. Control Systems for Live Entertainment. Boston: Focal Press, 1994 |
| Finelli, Patrick M. Sound for the Stage. New York: Drama Book Publishers, 1989. |
| Vasey, John. Concert Sound and Lighting Systems. Boston: Focal Press, 1993. |
Materials:
1 90 minute cassette tape
2 MiniDisc
5 CD-R
Class expectations:
Attendance policy: Attendance will be taken at the beginning of the hour
daily. More than three absences will result in the lowering of the final grade.
All projects are to be completed by the due date.
No late submissions will be graded.
Note: Individuals who have a disability, either temporary or permanent, which might affect their ability to perform in this class, are encouraged to inform the instructor at the start of the quarter. Adaptations of methods, materials or testing may be made as required to provide for equitable participation.
Last updated 01/16/06
