MUSIC
(MUS)
College
of Liberal Studies
School
of Arts and Communication
Department
Chair: Terence Kelly
242
Center for the Arts, 608-785-8419
e-mail:
kelly.tere@uwlax.edu
Professors: Balfany, Pinnell; Associate
Professors: Barber, C., Frye, Kelly, T., Tollefson, Mary, Walth; Lecturers:
Hindson, H., Quinn, Wheat; Visiting Associate Professor: Rusterholz, P.
(All
colleges, excluding Teacher Certification programs) Students enrolling in this
major must complete the music major core requirements and one or more areas of
emphasis. Students enrolling in licensure emphases must complete School of
Education requirements. Auditions are required.
24
credits, including MUS 201, 202, 235, 236, 237, 238, 301, 302, 335, 336, 337,
338; successful completion of concert attendance.
Performance Emphasis:
36
credits including music core requirements; applied music: six credits in a
single applied area, at least three credits must be taken at the 300 level and
one at the 400 level; MUS 480 (two credits); music electives: four credits; six
semesters of participation in large ensembles.
Music History Emphasis:
36
credits, including music core requirements; applied music: six credits in a single
applied area, at least two credits must be taken at the 300 level and one
credit at the 400 level; music electives: four credits to be chosen from MUS
305, 403, 407; MUS 480 (two credits); six semesters of participation in large
ensembles.
Music Theory Emphasis:
36
credits, including music core requirements; MUS 149, 480 (two credits); applied
music: six credits in a single applied area, at least two credits must be taken
at the 300 level and one credit at the 400 level; music electives: three credits
to be chosen from MUS 432, 437, 439, 480; six semesters of participation in
large ensembles.
Jazz Performance Emphasis:
36
credits, including music core requirements; applied music: six credits in a
single applied area, at least three credits must be taken at the 300 level and
one credit at the 400 level; music electives: six credits to be chosen from MUS
309, 326, 327, 480.
Piano Pedagogy Emphasis
36
credits, including music core requirements; applied music: six credits in
applied piano, at least two credits must be taken at the 300 level and one
credit at the 400 level; MUS 480 (two credits); MUS 351 and 352; six semesters
of participation in ensembles, including two semesters of large ensemble.
(Teacher
Certification Programs)
General Music Emphasis:
(K-12
teaching licensure) 60 credits, including music core requirements; MUS 149,
211, 212, 213, 263, 308, 321, 322; C-I 307, 371; applied music: six credits
must include two credits at the 300 level (any voice or instrument), two
credits of applied vocal lessons at the 200 level or above, one credit of
applied piano at the 300 level or above; large ensembles: six credits to be
selected from MUS 151, 153, 155, 157, 159, 163, 167; small ensembles: two
credits; electives: two credits.
Note:
Successful
completion of MUS 149 with a grade of B or above must
be
accomplished prior to student teaching.
Choral Music Emphasis:
(Grades
6-12 teaching licensure) 60 credits, including music core requirements; MUS
149, 211, 212, 213, 263, 318, 321, 322; C-I 306; applied music: six credits
must include one credit of applied piano at the 300 level, two credits of
applied vocal lessons at the 300 level and one credit at the 400 level; large
ensembles: six credits to be chosen from MUS 153, 157, 159, 167 (two credits
must be from MUS 153 and/or 167); small ensembles: two credits; electives: six
credits.
Note:
Both
successful completion of MUS 149 with a grade of B or above and completion of
the recital requirement (400 level, applied music) must be accomplished prior
to student teaching.
Instrumental Music Emphasis:
(K-12
teaching licensure) 60 credits, including music core requirements; MUS 149,
211, 263, 316, 320; C-I 308; applied music: six credits in one instrument,
including at least two at the 300 level and one credit at the 400 level; large
ensembles: six credits to be chosen from MUS 151, 154, 155, 163; small
ensembles: two credits; electives: three credits. Technique classes: students
in the instrumental emphasis must take eight credits of technique courses.
Technique courses will be determined by the students performance instrument
and desired teaching area. See below for specific requirements.
Note:
Both
successful completion of MUS 149 with a grade of B or above and completion of
the recital requirement (400 level, applied music) must be accomplished prior
to student teaching.
(applicable
to music education major, instrumental music emphasis)
Woodwind and Brass Band
Four
credits of woodwind and brass techniques, omitting major instrument; one credit
marching band and jazz ensembles techniques, one credit of string techniques;
two credits of percussion techniques.
Woodwind and Brass Orchestra
Two
credits of string techniques; one credit orchestra techniques; two credits of
percussion techniques; three credits of brass and woodwind techniques, omitting
major instrument.
String Band
Two
credits of percussion techniques; one credit of marching band and jazz ensemble
techniques; and five credits of brass and woodwind techniques.
String Orchestra
Two
credits of woodwind techniques; two credits of brass techniques; two credits of
percussion techniques; one credit of string techniques, omitting major instrument;
one credit of orchestra techniques.
Percussion Band
Five
credits of brass and woodwind techniques; two credits of string
techniques;
and one credit of marching band and jazz ensembles techniques.
Percussion Orchestra
Five
credits of brass and woodwind techniques; two credits of string
techniques;
and one credit of orchestration techniques.
(All
colleges auditions required) 24 credits including MUS 201, 202, 235, 236,
237, 238, 301, 302; applied music: four credits in voice or one instrument;
electives: four credits; four semesters of participation in large ensembles.
Note:
Teaching
licensure is not granted for minor only.
(Open
to students in all schools and colleges within the university with consent of instructor)
1 credit per semester. A maximum of six credits may be earned in large
ensembles toward a music major.
MUS 151 Screaming Eagles Marching Band
MUS 153 Concert Choir
MUS 154 Symphonic Band
MUS 155 Orchestra
MUS 157 Mannerchor
MUS 159 Womens Chorus
MUS 163 Wind Symphony
MUS 167 Choral Union
(Open
to students in all schools and colleges within the university with consent of
instructor) 1 credit per semester. Prerequisite: current enrollment in MUS
153, 157, 159, 167 (if choral or general music education major); MUS 151, 155,
163 (if instrumental or general music education major). A maximum of two
credits earned in small ensembles may be applied toward the music major.
MUS 152 Opera Workshop
MUS 161 Ensembles
MUS 165 Jazz Ensemble I
MUS 166 Jazz Ensemble II
MUS 168 Vocal Jazz Ensemble
MUS 169 Chamber Choir
Students
who register for credit in music organizations are required to register in the
same manner and within the time limits established for registration in all
other
courses.
+ above a course number indicates a General Education course.
+
MUS 105 Cr.
2
Music
Appreciation
The
Western classical tradition. A survey of the forms and styles within each
period since the Baroque. Emphasis on the content of specific masterpieces to
enhance perceptive learning. Not open to students with credit in MUS 110. Not
applicable to major or minor.
+
MUS 110 Cr.
3
The
Listening Experience in Music
An
introductory course to music listening, with emphasis on methods of perceiving
and understanding musical information. Topics include factors in listening,
recognition of musical elements and other concepts which contribute to aural
perception, and understanding the influence of musical context. The course
content will include representative examples of world music, compositions by
women, and representative music from the Western classical tradition.
Prerequisite: Not open to students with credit in MUS 105. Not applicable to
major or minor.
MUS 141 Cr.
1
MUS 143 Cr.
1
Class
Voice
MUS 145 Cr.
1
Class
Instruments
MUS 146 Cr.
1
Keyboard
Competencies I
This
course is designed to prepare students to use the piano as a functional vehicle
of expression and as an accompanying instrument. Emphasis will be given to
developing physical coordination of keyboard performance skills, building basic
piano technique and basic keyboard theory, harmonizing melodies with given
chord symbols and by ear, and reading simple piano literature in traditional
music notation. Lect. 1, Lab. 1. Prerequisite: music major or minor or
concurrent registration in MUS 235. Offered Sem. I.
MUS 147 Cr.
1
Keyboard
Competencies II
This
course is designed to prepare students to use the piano as a functional vehicle
of expression and as an accompanying instrument. From performance level
attained in Keyboard I, students will continue developing physical coordination
of keyboard performance skills, building basic technique, applying keyboard
theory and harmonizing melodies. Primary emphasis will be to increase
performance ability at first sight through practice strategies, musical
analysis and several pieces of piano literature. Lect. 1, Lab. 1. Prerequisite:
MUS 146 or consent of instructor. Offered Sem. II.
MUS 148 Cr.
1
Keyboard
Competencies III
This
course is designed to prepare students to use the piano as a functional vehicle
of expression and as an accompanying instrument. Having achieved basic piano
technique and reading skills, the emphasis in this course will be to expand the
use of the keyboard in practical music education contexts: accompaniments,
multiple staff (score) reading and transposition. Students will have
opportunities to articulate practice strategies and to assess performances.
Practical situations which call for modification of the printed score will also
be addressed. Lect. 1, Lab. 1. Prerequisite: MUS 147 or consent of instructor.
Offered Sem. I.
MUS 149 Cr.
1
Keyboard
Competencies IV
This
course prepares music education students to address standards for keyboard competency
as stipulated by the Wisconsin Department of Public Instruction. All activities
in the course will be driven by practical situations in the classroom using
keyboard skills. These skills include demonstration of keyboard technique
(scales, chord progressions), folk song accompaniments, transposition of
melodies to other keys, score reading (choral or instrumental ensembles) and
performance of accompaniments with appropriate stylistic considerations. Lect.
1, Lab. 1. Prerequisite: MUS 148 or consent of instructor. Offered Sem. II.
MUS 151 Cr.
1
Screaming
Eagles Marching Band
MUS 152 Cr.
1
Opera
Workshop
MUS 153 Cr.
1
Concert
Choir
MUS 154 Cr.
1
Symphonic
Band
MUS 155 Cr.
1
Orchestra
MUS 157 Cr.
1
Mannerchoir
MUS 159 Cr.
1
Womens
Chorus
MUS 161 Cr.
1
Ensembles
MUS 163 Cr.
1
Wind
Symphony
MUS 165 Cr.
1
MUS 166 Cr.
1
Jazz
Ensemble II
MUS 167 Cr.
1
Choral
Union
MUS 168 Cr.
1
Vocal
Jazz Ensemble
MUS 169 Cr.
1
Chamber
Choir
MUS 201 Cr.
2
Music
History I
A
study of music history and literature in the Western world from 850 to 1750 A.
D., covering the periods known as Medieval-Gothic, Renaissance and Baroque.
Prerequisite: MUS 105 or 110 or music major.
MUS 202 Cr.
2
A
study of music history and literature in the Western world from 1750-1825: the
Classical Period. Prerequisite: MUS 105 or 110 or music major.
+
MUS 204 Cr.
3
Latin
American Music: Its Context and Impact
A
survey of Latin American musical styles, their cultural contexts, and their
impact in the U.S. An assessment of religious, artistic, and popular music,
focusing on major schools and traditions in Latin America. The course develops
from a geographical, chronological approach ranging from pre-Columbian to
European and African manifestations in the 20 Latin American republics, with
emphasis on the Hispanic domination. Then the course traces the U.S. impact of
Mexicans in the southwest since the California missions, Puerto Ricans in New
York, and Cubans in Miami; the inroads of Latin dances on jazz and rock.
MUS 211 Cr.
2
Development
of the physical and mental skills necessary for accurate beat patterns, cueing,
fermatas, cut-offs, accerlandos and ritardandos. Emphasis is placed on body
posture, body language, eye contact, accurate tempos and dynamics. A basic
knowledge of musical terms is required along with the ability to use them to
teach the aesthetic qualities of music. Prerequisites: MUS 147 and 236.
MUS 212 Cr.
1
Folk
and Classroom Instruments I Recorder and Autoharp
Concentration
in development of skills necessary for the use of these instruments in the
elementary and middle school classroom, including a variety of ways the
instruments may be used to accompany singing as well as in solo capacities.
Folk
and Classroom Instruments II Guitar and Percussion
Concentration
in development of skills necessary for the use of these instruments in the
elementary and middle school classroom, including a variety of ways the
instruments may be used to accompany singing as well as in solo capacities.
MUS 214 Cr.
1
String
Techniques I
Group
instruction on violin/viola.
MUS 215 Cr.
1
String
Techniques II
Group
instruction on cello and double bass. This course is designed to prepare
students to perform and demonstrate on these instruments at a middle school
ability level, teach and diagnose performance problems in elementary and
secondary students, and present technical information and demonstrations on the
care and maintenance of string instruments.
MUS 217 Cr.
3
Recreational
Music
Music
for recreational programs. Prerequisite: MUS 141 with grade of C or better,
or equivalent (for recreation majors); others with consent of instructor.
Credit for this course does not apply to a music major or minor.
MUS 220 Cr.
1
High
Brass Techniques
Group
instruction on trumpet/horn.
MUS 221 Cr.
1
Low
Brass Techniques
Group
instruction on trombone/tuba.
MUS 225 Cr.
1
Percussion
Techniques I
Group
lessons in snare, tympani and mallet instruments. Primarily for students
preparing to teach instrumental music. Two periods per week.
MUS 226 Cr.
1
Percussion
Techniques II
Group
lessons in mallets, Latin equipment and drum set. Primarily for students
preparing to teach instrumental music. Two periods per week.
MUS 227 Cr.
1
Woodwind
Techniques I
Group
instruction on clarinet. Primarily for
students
planning to teach instrumental music. Two periods per week.
MUS 228 Cr.
1
Group
instruction on oboe and flute. Primarily for students planning to teach
instrumental music. Two periods per week.
MUS 229 Cr.
1
Woodwind
Techniques III
Group
instruction on bassoon and saxophone. Primarily for students planning to teach
instrumental
music.
MUS 231 Cr.
2
Elements
of Music
Fundamentals
of music. Basic vocabulary of music terms, symbols, elements needed for music
reading, use of the voice, keyboard instruments, song flute, and autoharp. For
elementary education majors. Credit for this course does not apply to a music
major or minor.
MUS 235 Cr.
3
Music
Theory I
Basic
materials in music theory, rhythm, intervals, triads, harmony, modes.
Introduction to four-part writing, and to the analysis of forms and styles.
Keyboard harmony.
MUS 236 Cr.
3
Music Theory II
Continuation of Music Theory I.
Modulation, seventh chords and altered chords. Nonharmonic tones. Keyboard
harmony. Prerequisite: MUS 235 or equivalent.
MUS 237 Cr.
1
Music
Reading and Aural Skills I
Singing
at sight and aural recognition (dictation) of scales and modes, intervals,
diatonic melody involving tonic and dominant harmonies, rhythmic patterns in
simple and compound meters; introduction to alto and tenor clefs. Prerequisite:
concurrent registration in MUS 235. Two periods per week.
MUS 238 Cr.
1
Music
Reading and Aural Skills II
Continuation
of MUS 237; subdominant harmonies, secondary dominant harmonies, secondary
dominants, modulation to near-related keys, two-voice counterpoint, more
complex rhythmic patterns involving syncopation and borrowed divisions of the
beat. Prerequisites: successful completion of MUS 237 with a grade of C or
better and concurrent enrollment in MUS 236. Two periods per week.
MUS 241 Cr.
1
Private
Piano
MUS 243 Cr.
1
Private
Voice
MUS 245 Cr.
1
Private
Instrument
MUS 263 Cr.
1
Introduction
to Music Technology
This
course introduces the basic principles of music production with recorders,
mixers, microphones, synthesizers, samplers, drum machines, computers, video
discs and CD ROM devices. It includes fundamental concepts in recording with
analog and digital recorders, mixing, analog and digital synthesis, sampling
and MIDI/computer applications for music sequencing, notation and education.
Prerequisite: MUS 235.
MUS 301 Cr.
2
Music
History III
A
study of music history and literature in the Western world from 1825 to 1900:
the Romantic Period. Prerequisite: MUS 105 or 110 or music major.
MUS 302 Cr.
2
Music
History IV
A
study of music history and literature in the Western world from 1900 to the
present: the Contemporary Period. Prerequisite: MUS 105 or 110 or music major.*
MUS 305 Cr.
2
American
Music
A
study of musical development in the United States. Colonial music, folk music,
jazz, and the development of music as an art in the late nineteenth and
twentieth centuries. Prerequisite: MUS 105 or 110 or music major.
MUS 308 Cr.
3
The
history and development of contemporary popular musical idioms including folk
and popular music, jazz and rock, electronic music and musical comedy.
Prerequisite: MUS 105 or 110 or music major.
MUS 309 Cr.
3
History
of Jazz
A
chronological study of the history of jazz from its African roots to the
present with emphasis on listening and selected readings. Prerequisite: MUS 105
or 110 or music major.
MUS 312 Cr.
1
Pedagogical
techniques and problem solving for conductors of middle school and high school
marching bands and jazz ensembles. Prerequisites: MUS 211, 225 or 226, 220 or
221, and 226 or 227 or 228.
MUS 313 Cr.
1
Orchestra
Techniques
Practical
approaches to the design and development of a successful school string and
orchestra program. Topics covered will be special recruitment and teaching
techniques to the string section, the relationship between bowing and style,
effective use of heterogenous teaching methods, chamber music in the string
curriculum and
scheduling,
repertoire, equipment, style and techniques for the full orchestra, string
orchestra, strolling strings and Pops orchestra. Prerequisites: MUS 211 and
214 or 215.
MUS 316 Cr.
2
Advanced
Instrumental Conducting
The
study of advanced problems in instrumental conducting. Topics covered include
baton technique, score preparation and analysis, interpretation, rehearsal
technique and procedure and the study of appropriate instrumental literature of
the band and orchestra in relation to its performance and practice.
Prerequisite: MUS 211.
MUS 318 Cr.
2
The
study of advanced problems in choral conducting. Topics covered will include
conducting techniques, score preparation, and analysis, interpretation,
rehearsal techniques and procedures, and appropriate choral literature.
Prerequisite: MUS 211.
MUS 320 Cr.
2
Orchestration
A
study of the characteristics and capabilities of orchestral and band
instruments and the writing of practical transcription and arrangements for
various small ensembles, the full band and the orchestra. Prerequisite: MUS
236.
MUS 321 Cr.
2
Choral
Arranging
Scoring
and arranging for mixed chorus, choirs, glee clubs and small vocal ensembles;
scoring of instrumental accompaniment for vocal groups. Prerequisite: MUS 335.
MUS 322 Cr.
3
Basic
principles of choral performance. Elements of expression, stylistic
characteristic and preparation of choral groups. The voice at different age
levels. Examination and evaluation of choral materials. Prerequisite: MUS 211.
MUS 326 Cr.
2
Jazz
Improvisation I
The
study and application of the theoretical, technical and performance aspects of
jazz improvisation. Prerequisites: MUS 236 and consent of instructor. Three
periods per week.
MUS 327 Cr.
2
Jazz
Improvisation II
A
continuation of the principles and techniques of Jazz Improvisation I, but at a
higher performance level. Prerequisites: MUS 326 and consent of instructor.
Three periods per week.
MUS 328 Cr.
1
Diction
in Music
The
study of diction for music majors and minors dealing with the phonetic systems
and texts in foreign language.
MUS 329 Cr.
1
Recording
Techniques
Physical
properties of sound, the recording chain and principles of audio recording will
be covered. Participants will be responsible for a final recording project.
Prerequisite: consent of instructor.
MUS 333 Cr.
2
Electronic
Music
Basic
principles and theory of the generation and modification of acoustical
wave-forms by electronic means. Prerequisite: consent of instructor.
MUS 335 Cr.
3
Music
Theory III
Continuation
of Music Theory I and II, with further study of modulation, altered chords, and
extended chords. Stylistic and formal analysis and composition with emphasis
upon eighteenth and nineteenth century styles and techniques. Keyboard harmony,
sight reading and ear training. Prerequisite: MUS 236 or equivalent.
MUS 336 Cr.
3
Music
Theory IV
Continuation
of Music Theory III, with analysis of the principal forms of music. Stylistic
and formal analysis and composition with emphasis upon twentieth-century
idioms. Keyboard harmony, sight reading and ear training. Prerequisite: MUS 335
or equivalent.
MUS 337 Cr.
1
Music
Reading and Aural Skills III
Continuation
of MUS 238; chromatic harmonies, four-voice dictation, rhythmic patterns
involving changing and complex meters. Prerequisites: completion of MUS 238
with a grade of C or better; concurrent enrollment in MUS 335. Two periods
per week.
MUS 338 Cr.
1
Music
Reading and Aural Skills IV
Continuation
of MUS 337; higher chords, non-tonal melody, rhythmic patterns involving
syncopation in changing and complex meters. Prerequisites: completion of MUS
337 with a grade of C or better; concurrent enrollment in MUS 336. Two
periods per week.
MUS 341 Cr.
1
Private
Piano
MUS 342 Cr.
1
Keyboard
Accompanying
Instruction
and practical experience in keyboard accompanying. Prerequisite: permission by
department chair.
MUS 343 Cr.
1
Private
Voice
MUS 345 Cr.
1
Private
Instrument
MUS 351 Cr.
2
Piano
Pedagogy I
An
introduction to teaching piano. Topics include methods and materials currently
used for studying piano, business and administrative issues related to
operating independent teaching studios, innovative strategies beyond
traditional method book instruction and piano literature. Through a
comprehensive survey of piano literature and essential pedagogical collections
of repertoire, students will establish a foundation for teaching the styles of
intermediate and advanced piano literature. Lect. 2. Lab. 1. Prerequisites:
music major and concurrent registration in 341.
MUS 352 Cr.
2
Piano Pedagogy II: Instruction Strategies
This
course is designed to study and implement strategies for improving
effectiveness in piano teaching. A systematic examination and evaluation of
piano methods will be covered, as well as discussions regarding teaching
content versus teaching process. Topics on teaching effectiveness will include
behavioral modifications, task analysis, teaching cycles, and observation and
evaluation techniques. Students also receive initial training in systematic
methods for making independent changes in both piano practice and piano
teaching environments. Lect. 2. Lab. 1. Prerequisites: MUS 351 and concurrent
registration in 341.
MUS 370 Cr.
2
Administration
and Supervision of Elementary and Secondary School Music
Principles
of administration and supervision of vocal, instrumental and general music
programs in elementary and secondary schools.
MUS 376 Cr.
2
Music in Early Childhood Education
A
study of the philosophy of music education in early childhood education.
Emphasis will be given to the study of vocal development, listening and
movement activity, and the use of classroom instruments, with practical
application in an off-campus early childhood situation. Prerequisite: MUS 231.
Three periods per week.
MUS 403 Cr.
2
Symphonic
Literature
A
study of the development of the orchestra, the important orchestral forms and
the evolution of orchestral styles through the study of compositions of
representative composers. Prerequisites: MUS 301 or 302.
MUS 407 Cr.
2
Survey
of Opera
A
historical survey of opera from its origin to the present, emphasizing an
understanding of the parameters of opera as an art form. Prerequisites: MUS 105
or 110 or music major and MUS 301 or 302.
MUS 432 Cr.
2
Counterpoint
Composition
of musical themes with analysis and writing of counterpoint in two and three
parts. Prerequisite: MUS 335.
MUS 437 Cr.
2
Form
and Analysis
The
study of the basic structural principles and patterns of music, of their
expansion into the chief homophonic and contrapuntal forms in Western music.
Prerequisite: MUS 335.
MUS 439 Cr.
2
Composition
The
study of compositional techniques and their application to the writing of
original music. Individual projects in composition. Prerequisite: MUS 336.
MUS 441 Cr.
1
Piano
Recital
MUS 443 Cr.
1
Voice
Recital
MUS 445 Cr.
1
Private
Instrument Recital
MUS 451 Cr.
1
Piano
Performance Emphasis Recital
MUS 453 Cr.
1
Vocal
Performance Emphasis Recital
MUS 455 Cr.
1
Instrumental
Performance Emphasis Recital
MUS 461 Cr.
1
Piano
Jazz Performance Emphasis Recital
MUS 463 Cr.
1
Vocal
Jazz Performance Emphasis Recital
MUS 465 Cr.
1
Instrumental
Jazz Performance Emphasis Recital
MUS 480 Cr.
1-3
Independent
Study of Music
Individual
projects. Concentration in one area of advanced music study. Open to selected
advanced students who have excellent records in the department. Admission by
consent of adviser, instructor, and music department staff. Repeatable for
credit maximum 6.
MUS 499/699 Cr.
1-3
Special
Topics in Music and Music Education
Special
topics in music and music education not covered by current courses taught in
the music department. The particular topic selected to be determined by the
Music Department according to the current need and interest. Prerequisite: MUS
336 or consent of the department chair. Repeatable for credit.
Students
with little or no formal training should enroll in 100 level courses. Placement
in intermediate (200 level) and advanced (300 level) courses is determined by
audition. Students enrolled in 200 or 300 level courses will perform for a
Music Department jury at the close of each semester of instruction. Students
enrolled in recital-level courses (400 level) will present a public recital.
Students
enrolled in 200 and 300 level courses take one (one-half hour) private
lesson
per week and will also meet for one class lesson per week. Students may enroll
in a maximum of two applied areas each semester (100 level courses are excluded
from this total.) All applied music courses are for one credit. Prerequisite:
audition approval of music faculty and music chair for enrollment in all
applied music courses.
*A
music major may enroll for a maximum of nine semesters in a single applied area
without paying an extra fee. Of those nine semesters, only six may be earned at
the 200 level. A music minor may enroll for a maximum of four semesters in an
applied music area without paying a fee. Non-music majors and minors may enroll
in applied classes after audition approval from music faculty and music chair,
payment of a fee will be required.
MUS 141 Class Piano I
MUS 143 Class Voice
MUS 145 Class Instruments
MUS 241 Private Piano
MUS 243 Private Voice
MUS 245 Private Instrument
MUS 341 Private Piano
MUS 343 Private Voice
MUS 345 Private Instrument
MUS 441 Piano Recital
MUS 443 Voice Recital
MUS 445 Private Instrument Recital
MUS 451 Piano Performance Emphasis Recital
MUS 453 Vocal Performance Emphasis Recital
MUS 455 Instrumental Performance Emphasis
Recital
MUS 461 Piano Jazz Performance Emphasis
Recital
MUS 463 Vocal Jazz Performance Emphasis
Recital
MUS 465 Instrumental Jazz Performance Emphasis
Recital
_______________________________________________________________________
* Generally, after receiving permission to register for applied music, a student may register for the course and pay only tuition for the credit. However, there are some conditions which require a student to pay a special fee in addition to tuition.