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     Eighteenth-Century Poetry and the Rise of the Novel Reconsidered , co-edited by Dr. Kate Parker, begins with the brute fact that poetry jostled up alongside novels in the bookstalls of eighteenth-century England. Indeed, by exploring unexpected collisions and collusions between poetry and novels, this volume of exciting, new essays offers a reconsideration of the literary and cultural history of the period. The novel poached from and featured poetry, and the "modern" subjects and objects privileged by "rise of the novel" scholarship are only one part of a world full of animate things and people with indistinct boundaries. Contributors: Margaret Doody, David Fairer, Sophie Gee, Heather Keenleyside, Shelley King, Christina Lupton, Kate Parker, Natalie Phillips, Aran Ruth, Wolfram Schmidgen, Joshua Swidzinski, and Courtney Weiss Smith.
     

     

    Appropriation emerged during the Celtic Revival as a singular mode of engaging the Shakespearean text to conceptualise and frame Ireland's national identities using the English language. With  The Celtic Revival in Shakespeare's Wake , Dr. Adam Putz has examined the ways in which the discourse of Anglo-Irish cultural politics shaped the Shakespeares of Matthew Arnold, Edward Dowden, and W. B. Yeats. His close readings of their works in poetry and prose underscore the instability of the binary oppositions upon which these writers relied to predicate their political assertions and Shakespeare appropriations. However, Putz finds in James Joyce an urgent concern for the pernicious manner in which the discourse of Anglo-Irish cultural politics mediated the relationship with Shakespeare for a generation of Irish men and women. Therefore, Putz reconsiders periodization and literary inheritance, the nation and modernity in order to point up the contingency of those values-aesthetic, political, and religious-located in and imposed upon Shakespeare during the Revival.

     
     

    Through an analysis of a wide range of literary and cultural texts-from Wordsworth's  The Prelude  and Dickens's  Hard Times , to  Lost in TranslationCrash  and Ikea-Dr. Kimberly DeFazio's  The City of the Senses  argues that the city is essentially a material place where people live, work, and participate in social practices within historical limits set not by sensory experience or cultural meanings but material social conditions. 

     
     
    Dr. William Stobb has won acclaim for wide-ranging poetry that features tender realism, jazzy dissonance, luminous descriptions, and, in the words of Donald Revell, a "strange and elegantly accomplished serenity of tensions attenuated to their uttermost." The poems in his second collection,  Absentia  , see the big picture-the sweep of history, the ongoing evolution of consciousness, evidence of geological time in the landscape. Humbled by scales beyond comprehension, Stobb is nonetheless seduced and stricken by the present in its many manifestations. Whether dealing with family, friends, or nature, the poems in  Absentia  , with their rich emotional palette and vivid, precise language, respond and transform, calling us to attend to the wide skies above and inside us.
     

    In The Digital Condition , Dr. Rob Wilkie advances a groundbreaking analysis of digital culture which argues that the digital geist-which has its genealogy in such concepts as the body without organs,spectrality,and differance-has obscured the implications of class difference with the phantom of a digital divide. Engaging the writings of Hardt and Negri, Poster, Deleuze and Guattari, Derrida, Haraway, Latour, and Castells, the literature and cinema of cyberpunk, and digital commodities like the iPod, Wilkie initiates a new direction within the field of digital cultural studies by foregrounding the continuing importance of class in shaping the contemporary.

     
     

    Dr. Ryan Friesen's book explores the varieties of scepticism and belief exhibited by a selection of philosophers and playwrights from the 16th and 17th centuries, including Heinrich Cornelius Agrippa, Giordano Bruno, John Dee, Christopher Marlowe, William Shakespeare, Ben Jonson, and Thomas Middleton. It explicates how each author defines the supernatural, whether they assume magic to operate in the world, and how they use occult principles to explain what can be known and what is ethical. Each chapter in this volume evaluates whether a chosen early modern author is endorsing magic as efficacious or divinely sanctioned, or criticizing it for being fraudulent or unholy. This book also sets out to determine what historical sources provided given authors with knowledge of the occult and speculates on how aware an audience would have been of academic, classical, or popular contexts surrounding the text at hand.

     
     
    Winner of the Midwestern Studies Book Award,  The Midwestern Pastoral: Place and Landscape in Literature of the American Heartland  relates Midwestern pastoral writers to their local geographies and explains their approaches. Dr. William Barrillas treats five important Midwestern pastoralists---Willa Cather, Aldo Leopold, Theodore Roethke, James Wright, and Jim Harrison---in separate chapters. He also discusses Jane Smiley, author of the Pulitzer Prize-winning novel A Thousand Acres, current U.S. Poet Laureate Ted Kooser, Paul Gruchow, author of Grass Roots, and others. The Midwestern pastoral is a literary tradition of place and rural experience that celebrates an attachment to land that is mystical as well as practical, based on historical and scientific knowledge as well as personal experience. It is exemplified in poetry, fiction, and essays that expresses an informed love of nature and regional landscapes of the Midwest.Drawing on recent studies in cultural geography, environmental history, and mythology, as well as literary criticism, this book will appeal to students and serious readers, as well as scholars in the growing field of literature and the environment. 
     
     
    Matt Cashion's novel offers an unusual and darkly comic take of a man on the skids, a wildly sardonic ride that teeters on destruction but manages to pull through in a fashion worthy of any grinning anti-hero who alternately fights himself and the surrounding ring-a-ding complacency of others.
     
     

    This collection, co-edited by Dr. Lalita Hogan, provides a lucid introduction for those unfamiliar with Tagore's work, while simultaneously presenting importnat new scholarship and novel interpretation. Rabindranath Tagore is considered the greatest modern writer of India. He is also one of the great social and political figures in modern Indian history. After he received the Nobel Prize for literature in 1913, Tagore's reputation in the West has been based primarily on his mystical poetry. But beyond poetry, Tagore wrote novels of social realism, treating nationalism, religious intolerance, and violence. He wrote analytic works on social reform, education, and science- even engaging in a brief dialogue with Albert Einstein. Without ignoring religion and mysticism, the essays in this collection concentrate on this "other Tagore." They explicate Tagore's writings in relation to its historical and literary context and, at the same time, draw out those aspects of Tagore's work that continue to bear on contemporary society.

    http://inside.fdu.edu/fdupress/03070806.html