Posted 1:39 p.m. Monday, Oct. 23, 2017

Art, chemistry professors find commonalities in artwork.
Art, chemistry professors find commonalities in artwork
UW-La Crosse professors from the Art and Chemistry departments will show their work in the University Art Gallery. Art Professor Karen Terpstra and Chemistry Professor Adrienne Loh may come from diverse backgrounds, but their artwork depicting horses exhibits many similarities. They will show their artwork Friday, Nov. 3, through Saturday, Nov. 18, in the gallery located in 100 Center for the Arts, 333 N. 16th St. Terpstra finds it interesting that the two, unknowingly to each other, have made similar connections to details, surface elements, and contexts in their respective mediums. “As an artist, I'm trained to see while working with materials,” she explains. “Adrienne is trained to see patterns as a chemist. As educators we teach our students the importance of visualization, the difference between seeing and looking, and stress the importance of experimentation and practice. We both ask our students to be open-minded, inquisitive and creative.” “Karen Terpstra: A Cheval Retrospective” will run in the main gallery, while “Adrienne Loh: Suis ton coeur (Follow your heart)” will run in the adjacent Study Gallery. The exhibition opens with a reception from 4-6 p.m. Friday, Nov. 3. Admission is free. Regular gallery hours are noon-8 p.m. Mondays-Thursdays, noon-5 p.m. Fridays and Saturdays, and by appointment and during events in nearby Toland Theatre. Terpstra’s retrospective includes a diverse body of her artwork — pieces dating back 20 years to recently completed ones. It includes sketches, drawings reworked with watercolors or oil crayons, reworked giclee prints, and ceramics. Terpstra’s lifelong passion has been horses. “The ‘horse’ has always been and always will be a major influence and the subject matter of my utilitarian and conceptual works,” she explains. Since the gallery hasn’t featured a faculty retrospect in many years, Gallery Director Deborah-Eve Lombard lined up Terpstra’s work, as well as adding another faculty member’s pieces in the adjacent study gallery. “I immediately thought about Adrienne's new photographs she had been sending me, and noticed the similarities in our work,” says Terpstra. “Her recent work is also influenced by horses, but they’re not the kind of photos we are accustomed to. They are very unique photographs that depict intimate, detailed, and raw horse-related objects that most people overlook.” Terpstra says Loh’s images are recognizable, yet vaguely abstracted and surreal. “My work also suggests or hints to abstraction and the surreal, so I thought her photos would complement my pieces in an interesting way and work well in the adjoining Study Gallery,” she explains. Terpstra hopes viewers will appreciate the passion and dedication in her work. “I'm formally trained to be a ceramist, but that doesn’t limit me to clay,” she notes. “I'm really interested in reworking old drawings right now, so that’s what I’m having fun doing. I'm creating new connections between my old ceramics works and my drawings and vice-versa. Some of it just happened and some of it is intentional. It’s just part of the creative process.” Terpstra hopes viewers will think about the wide variety of reasons human beings make art. Looking through a lens [caption id="attachment_50142" align="alignleft" width="211"]