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I read dead people

Posted 8:25 a.m. Friday, Oct. 20, 2023

A contributed post from the English Department.

True Confessions of the English Department

Students of English are famously obsessed with death. Here’s one example: Thomas Gray, a poet and professor of classical literature, spent his evenings sitting in a graveyard writing poetry about his friends buried right beneath him: a literal Dead Poet’s Society. Here’s another: Shakespeare regularly practiced the art of memento mori, meditating on death in order to feel awe and gratitude for his life, telling his lover “do not so much as my poor name rehearse” after he is gone. (That worked out well.) And you don’t have to be famous to be a grim reader: perhaps you, tortured soul that you are, feel like every single college essay you have to write is like a tiny, stabby death from which there’s no escape.

We get it. In the English Department, we’re all tortured souls, too. (Read more on our Write Here, Write Now blog.) And we’re constantly communing with the Dead. In some ways, our department is like one massive séance, and it’s happening right now: ethereal voices manifesting in the classroom, the spirits of authors past haunting our syllabi, and the words of the lost being transcribed on essays as though they were Ouija boards.

There’s a secret to all this gloomy visitation, however: death is what makes everything that is beautiful, beautiful. 

Writers and readers have always known this, which is why death is such a powerful subject. Writing about death is actually writing about life: what we, as humans, most love, cherish, miss, and hope for. Reading others’ meditations on death can inspire our most noble ideas, our most creative work. Discovering the loss of what makes us human can actually make us more human.

Intrigued? Come read dead people with us. Spring offerings in the English department have all the makings of the darkest, spookiest semester ever:


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